It’s been a busy few months here in Tallinn, but by now we can conclude that this year’s TAB Symposium was a great success!

A few months ago I published a blog post saying I was appointed as symposium curator for this year’s Tallinn Architecture Biennale (TAB). TAB is a relatively young but quickly growing architecture festival that takes place every two years in Tallinn, Estonia, and the symposium constitutes one of its central parts. Hence, being invited to head the preparation of the symposium by this year’s main curator, Marten Kaevats, was a great honor, but also a challenge: other parts of the biennale have been in the works for about half-a-year by then, with the symposium drastically underdeveloped.

As a symposium curator, my responsibilities included everything you can think of, when organizing a major international conference – topic and program development, selection and communication with speakers, marketing strategy development, securing the consistency of event’s graphics, budgeting, volunteer coordination and so on. There was an incredible team behind me to help with the specifics of each task, but still, it was a lot of stuff to take care of in a relatively short period of time.

Getting into my new role, I had one major idea: I wanted the event to be a “dialog”. Unfortunately, in my practice I’ve discovered that architecture is often seen as a quasi-elitist profession where others are not usually welcome (just ask Kanye), a field exhibiting a certain lack of outward interest and high-brow withdrawal of discourse from the general public. In my view, though, architecture is by default a dialogue: developers commission, architects design, city officials restrict, neighbors protest, regular passers-by ask “What is THAT?!”, end-users complain, and so on. There are constant feedback loops between all parties involved, and as we see from the above, some of the named relations are far from perfect. Hence, for me it made sense to use a major architectural event to let those diverse agents get together and talk – in public – what they really thought was going on, or rather, what they though was going to happen with the built environment in the future. We want the environment to be as good as it can possibly be, I reckoned, so we’d better include everyone who has a say in its development process earlier rather than later. Interdisciplinary communication became symposium’s main tool.

Given the time constraints, I decided to “walk the talk” and started applying my dialog approach from the get-go. First of all, I set up meetings with previous TAB curators and all the members of the team individually, to see what everyone’s expectations were. Later, using advice and connections of the team as well as my own “cold-emailing” skills, I managed to compile a list of 14 international speakers from diverse disciplines – from data science to journalism and, of course, architecture – and subdivided the two-day event into four sessions, with the first two being super-broad, and the other two – more specific:

  • “III Industrial Revolution” discussed the origin, evolution and influence of the phenomenon on spatial development,
  • “Data” – which is the “material” of our contemporary world – was devoted to the notions of data, the internet, telecommunications, IoT and the „Smart City“,
  • “Mobility”, focused on autonomous vehicles, new modes of public transportation and the resulting changes to road infrastructure, zoning and architecture, and
  • “Fabrication”, which focused on new geometries and techniques of architectural production.

The event was structured so that each session would last for about 3 hours and consist of the following:

  • 3 x 30 min – Lectures by industry experts and architects directly involved with the topic of the session,
  • 15 min – Coffee Break,
  • 1 hr 15 min – Relating the topic to the Estonian spatial / political / economic context via a panel discussion and Q&A with the audience, which included all speakers plus 2-3 local influencers from backgrounds related to the topic.

As you can see from the third point, I found it crucial to not only include representatives of diverse disciplines, but also local stakeholders in the discussion taking place at the symposium. We did not want the symposium to become a show of global best practices, irrelevant to / irrespective of local conditions.

Needless to say, the format of the event invited both praise and criticism from the team, with some complimenting the intention of striking a conversation among disciplines, and others being concerned about it not being “architectural enough”. However, despite the reality of a near-zero budget, complex speakers’ itineraries and skepticism about its format, the biennale in general and the symposium specifically proved to be a great success.

Apart from the fact that this year’s attendance of the biennale multiplied comparing to the last time, the list of participants in all TAB’s events was beyond ambitious. At the symposium, the President of Estonia Toomas Hendik Ilves himself delivering the opening address, followed by talks by Prof. Carlo Ratti (MIT Senseable City Lab), Prof. Lev Manovich (CUNY, Software Studies Initiative), Steven Poole (The Guardian), Salome Galjaard (Arup) and Roland Snooks (Kokkugia) among others, who discussed their work and what they thought the built environment of the future would look like.

The symposium venue – the machine hall of a recently renovated energy plant “Kultuurikatel”, graciously lent to the symposium by the TAB Lab exhibition and beautifully augmented by Marco Casagrande’s Paracity – was the best possible venue for a symposium aimed at discussing how technology and architecture intertwine. It was close to full throughout the symposium’s 8-hour long days, and additionally was watched online via a stream on (Estonian State Broadcasting Corporation) by a few thousand people.

The media coverage was spectacular. If you are interested, a selection of publications that featured pieces about the biennale and the symposium is here. Below is a brief piece about the biennale on Euronews:

Also, all the videos of symposium presentations have been uploaded to YouTube, and are available here:


Click on the image to be redirected to TAB’s YouTube channel

So, for those of you, who attended the symposium this year – hope you found it inspiring! For those of you who didn’t – well, let’s jut say you missed out. In two years from now, when the next TAB will take place, make sure to come and visit. I am sure it will be a blast. Again.

P.S. In case any of the team, sponsors, speakers or volunteers are reading this – please accept a big personal Thank You! from me. The symposium would not have happened without you.

Ok, this is just way too awesome to not be posted. It’s like Interstellar, but without the narrative or humans. I suggest you put this on full screen and make sure you have your sound on – soundtrack choice is amazing. Thank you for the experience Julius Horsthuis.

For us – architects – it is important to somehow live out our insanity. Many of the things – in fact, most of the things our profession actually craves to do – are just not possible in the world that is trying to be rational. All the curved, angled, huge, megalomaniac stuff that many of us dream about (and the schools are promoting) is just not going to happen. In our daily practices we need to produce buildings – not boundless spatial play. So, how do live out our insanity?

Daniel Libeskind

Daniel Libeskind, Micromegas

Rem Koolhaas

Rem Koolhaas, Zeebrugge Terminal

Zaha Hadid, The Peak Leisure Club

Zaha Hadid, The Peak Leisure Club

Doing architecture, I believe, is a balancing of acting out this insanity and adhering to the needs of rationality. The more insanity we are able to incorporate into our built designs, the happier we are as professionals. Perversely, architecture – the profession of spatial play – is not able to satisfy our craving for molding space. For that we need other media – media allowing for less responsibility. And may-be that is for the better, too. Would we actually want to live in our dreams? I doubt it. Other media help us keep our denial of reality at bay, and cope with our madness. It’s not that architects “can draw, and do sculpture, too”. We have to do that in order to stay sane.

Ivan Sergejev, Utopia

Ivan Sergejev, Utopia

Ivan Sergejev, Rubik City

Ivan Sergejev, Rubik City – a three-dimensional city grid

Ivan Sergejev, Rubik City detail

Ivan Sergejev, Rubik City detail

Ivan Sergejev, The In-between

Ivan Sergejev, The In-between

For those of you who haven’t seen this yet: The “Box” by The Creator Project.

A good read for those interested in the relation of the Cloud and physical space, and what we have coming up (may-be).

Software Is Reorganizing the World

Back in the days when Virtual Reality was still new and hip, Internet looked very different too. Take a look at this scene from “Johnny Mnemonic”:

I guess, back in the days of early cyberpunk the space of the Internet was visualized as an actual SPACE, so reminiscent of our urban space. The ease and speed of navigation in that space might have been a bit worse, but the “architecture” of it was just über-cool, don’t you think? In that Space it was still you, who moved towards a web-page, not the page that moved towards you. Thus, I assume the experience of “browsing” was totally different and was closer to flight.

I bet that space would have run into all the same spatial issues, as our real space does (like: how do you grow effectively and not end up on the outskirts? – literally). Would it have allowed for such randomness of inquiries and links, and the lightning-fast “hopping” from point A to point D, to point R as the current Internet allows? I don’t think so. It’s exactly the a-spatiality of the modern Internet that allows for its speed.

Nevertheless, the Internet of the 90’s looked awesome! May-be beef-up the graphics just a bit, but that’s about it..

Long live cyberpunk!

What could be romantically creepier than a couple of cranes standing silently in a misty night?

Don’t you find, there is something spatially exciting about these silent chunks of steel – just standing there – especially when they are slanted to rest for the night at a weird angle, resting their sheaves so close to you, it seems you can touch them – something you could only “normally” do if you flew?

An architecture that moves – suddenly at rest; suddenly closer.

A mammoth at rest

Diagonal vertical

From afar

P.S. Apologies for the quality of the pictures..

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